![]() ![]() Say you need to add a little motion expression to one of the objects in your scene. But realistically speaking, After Effects does a way better job of it - the reason being that After Effects comes with all the first-rate tools you need (like the Mask Tracker and Track Mask Effect) to carve out objects with insanely (and I mean insanely) fine precision. Technically speaking, both Premiere Pro and After Effects can mask objects. Enhanced Maskingįor those who aren’t familiar, masking is where you grab or rotoscope a section of your frame (again, let’s a say a cloud) and select to either include or exclude everything inside of that section. Even more impressive, After Effects also comes with a wire removal tool, specifically designed to erase support ropes and harnesses from stunt scenes. Basically, the Clone Stamp lets you copy pixel values from one area of your footage (say a blue sky) and apply them to a different area (say a cloud) to create your ideal backdrop (in the case, a cloudless blue sky). With After Effects, you can easily remove or modify unwanted objects (such as crew members or branded signage) with the help of the trusty old Clone Stamp. It’s often said that After Effects is like Photoshop of video, and never is this truer when it comes to digitally altering footage. Essentially, this will allow you to view all of your synced clips in real-time and pluck the best bits from each one. Well, with Premiere Pro you can do exactly that by setting up what’s called multi-camera source sequence. ![]() If you ever need to edit a multicam project (such as a wedding, concert, or sports event), then it’s really going to help if you can view all the different angles simultaneously. But this only allows you to simulate 3D movements, not actually create them. With Premiere Pro, there’s nothing that even comes close to this. Not only does it let you track 3D elements into your footage, but it also comes with a 3D renderer that recognizes inputs on all three dimensions (X, Y, and Z) so you can create 3D elements from scratch. When it comes to 3D, After Effects is where it’s at. I mean, can you actually imagine how long it would take build a sequence without the help of the all-important ripple edit? Or the beloved razor? The slip tool? The rate stretch? Well, if you want to find out, just try editing one of your projects entirely in After Effects where the timeline tools are kinda lacking. Its timeline panel comes chockablock with tools to make the editing process quick, easy, and super intuitive. If you need to string a narrative timeline together, then for the love of all that is holy, use Adobe Premiere Pro. Sure, you can pixelate faces and objects-but the fun pretty much stops there. Premiere Pro, on the other hand, has virtually no camera tracking functionality. Camera TrackingĪnother fine feature where After Effects reigns supreme! With its built-in planar and 3D tracking, After Effects lets you composite titles and objects onto your 2D footage then manipulate their movement in such a way that they look totally organic to the scene (think of text floating on water or a cloud-like thought bubble appearing above a character’s head). To top it off, After Effects also comes with a dedicated graph display which makes fine-tuning the speed and direction of your elements way more smooth and precise. Much of this is to do with the After Effects interface, the simplicity of which lends itself well to the intricate and sometimes finicky task of keyframing. While it is entirely possible to keyframe in Premiere Pro, you’re going to have a much easier time and achieve way better results if you use After Effects. While the program will recognize any audio that comes attached to visual media, it doesn’t really have the capability to do anything with that audio apart from increasing and decreasing its volume. But with After Effects, it’s a totally different story. With Premiere Pro, you get the full gamut of audio editing tools-audio repair options, audio-mixing, snazzy sound effects, auto-ducking, volume controls, the list goes on. So using it for any long-form or media-rich projects is going to be a straight-up nightmare. ![]() In contrast, with Adobe After Effects, you’re pretty much dealing with a one-piece-of-media per track situation. This might not seem like a big deal, but being able to stack your clips in such a way that you can see where all of them are sitting at a moment’s glance is an essential component of maintaining a fast, efficient workflow. One of the things that makes Premiere Pro such as an easy, breezy video editing software is the fact that it’s non-linear, which basically means that it allows you to layer multiple pieces of media onto the same track. 10 Key Difference Between Premiere Pro and After Effects ![]()
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